8 Apr 2011

My "letter to the editor" on Virgil and 9/11

I sent a letter (here slightly updated) to the New York Times in response to Caroline Alexander's Op-Ed "Out of Context" published April 6, 2011 (http://nyti.ms/eyiEio). I doubt they'll publish it, and perhaps now it counts as a public letter, which I think would mean that they definitely won't. Happy for responses from readers.

"Ms. Alexander suggests that a quotation from Virgil on the 9/11 memorial was 'never intended to lead visitors to any more profound thoughts or emotions.' My personal reaction differs. The Aeneid builds on the Trojan Cycle, in which foreigners hide in a wooden horse and go on to inflict horrible destruction on a magnificent city, leading to burning towers and civilians falling to their deaths. The parallels with the planes of 9/11 are compelling. In Homer's telling of the events at Troy, unbridled human rage is to blame for much of the suffering. Again, there is much to learn here. And I am concerned by Ms. Alexander's use of the term 'homoerotic'. Does she mean that characterization as a reason for the Aeneid not to be quoted? I hope not. In short, both Homer and Virgil have called upon readers of all periods to contemplate the effects of, and response to, humanity's violent impulses. I congratulate the 9/11 Memorial Committee on giving New Yorkers and the world an opportunity to do just that."
3 Apr 2011

Text-to-speech and Ancient Texts

This "Othodox Word of the Day" is interesting because it sounds like it's implemented using a text-to-speech tool.

I could be wrong and maybe an actual human speaks that way. But if I'm not, this is another cool instance of an engaged and energetic community enabling access to ancient texts. Digital humanists take note!

The home page for the series is here.

29 Mar 2011

Digital Epistemology as Mediated through Tessellated Self-Digitizing Communities

I submitted an abstract to Digital Humanities 2011 and was pleased when it was accepted. But the idea needs work and I hope to do some of that here over the next two months. And to be clear, the title of this post is not the title of the talk. I did use the phrase "self-digitizing communities" and I do think that's an interesting concept. By way of limited introduction, I think of it as a somewhat self-explanatory phrase that I'm using to describe communities of common interest or practice that have done an evidently good job of putting themselves online. I'm not going to overload this post with bibliography but I do want to mention Melissa Terras' recent article "Digital curiosities: resource creation via amateur digitization" as one indication that there are parallel evaluations of Internet resources going on. Melissa kindly cited my article, "Diversity and reuse of digital resources for ancient Mediterranean material culture". That looked in part at numismatics, which is one good example of a self-digitizing community.

Throwing in "tessellation" is new here. As a mathematical term it means a surface divided into areas with no gaps between them and no overlap. By the standard of "no overlap," I'm misusing the term. It's unlikely that a set of Internet resources from within one community won't have shared scope so I'm more focussed on the idea of tessellation as complete coverage; and I like the evocation of mosaic tessera.

The "community" that I'm looking at now is Christianity. That's a big topic, I know, so I'm going to let my thoughts develop over a few posts, with the point being to use anything worthwhile in the DH2011 talk.

An opening observation is that I conceive my interest in Christianity and its manifestations on the Internet as an investigation of the reception of ancient Roman culture in the modern world. I stress the New Testament canon as a set of Roman-period texts. It is therefore interesting for me to walk along the streets of my neighborhood in Brooklyn, NY, see churches and recognize the influence of Rome. That's the personal perspective. The professional perspective will move me from observing this sustained engagement with one aspect of ancient Mediterranean culture to finding a model for Digital Humanities. Beyond that, I'm tempted to say that to the extent this engagement occurs on the Internet, it is Digital Humanities. Or rather, we can array a series of internet resources in a sequence that blurs both the line between community-sourced and academy-sourced Digital Humanities and blurs any difference in goals and nature that might exist the two.

One form of "tesselation" is the representation of the historical variety of Christianity on the Internet. For now I'll illustrate that by a lightly annotated list of more or less "official" websites with a bias towards modern manifestations of those forms of early and medieval Christianity that were current in the Mediterranean and further east.

 

Thomasine Christianity in India http://malankaraorthodoxchurch.in/ There are Catholic rite churches as well. Wikipedia
Gnostic Christianity http://gnosis.org/ Ideas of "institutional continuity" don't really apply. Wikipedia
Marcion http://www.marcion.info/ No institutional continuity from 2nd Century Wikipedia
Arian Christianity http://arian-catholic.org/ No institutional continuity from 4th Century Wikipedia
Nestorian/Assyrian Christianity http://www.nestorian.org/ Fragmented and under threat, but onoing. Wikipedia
Assyrian Church of the East http://news.assyrianchurch.com/   Wikipedia
An Assyrian News site http://www.aina.org/    
Coptic Church http://www.copticpope.org/ There are many dioscesan websites. Wikipedia
Syriac Orthodox Church http://www.syrian-orthodox.com/ Again, many dioscesan websites. Wikipedia
Armenian Church http://www.armenianchurch.org/ Again, dioscesan websites. Wikipedia
Orthodox Church http://www.patriarchate.org/ I use the Patriarchate of Constantinople's website as a placeholder for Chalcedonian Orthodoxy. Wikipedia
Roman Catholic Church http://www.vatican.va/ Again, one site standing in for all. But more so in this case. Wikipedia
Maronite Syriac Church of Antioch http://www.bkerkelb.org// In communion with Rome. Wikipedia

I could keep going and list sites that explore internal variety within these forms of Christianity or look beyond the edges of Christianity to find beliefs that only overlap with the New Testament (think Mandeanism [Wiki">Wikipedia]). But such a list is only part of suggesting that the representation of Christianity on the web is both one model for and also a form of Digital Humanities. I move very slightly in that direction with a list of sites that belonging to modern Christian denominations that are self-conscious invocations of long-lasting Christological">Wikipedia or soterological debates. In plainer language, those terms refer to the questions "Who or what was Jesus Christ?" and "Who will be saved and how?".

Unitarian Ministries http://unitarianministries.com/
Biblical Unitarians http://www.biblicalunitarian.com/
The Christian Universalist Association http://www.christianuniversalist.org/
Unitarian Universalists http://www.uua.org/

[And just as a note, The Universal Life Church (http://www.themonastery.org/) deserves a place in this discussioin but its practitioners(?) aren't exclusively Christian so I leave them for another day. And for that matter, Unitarian Universalism isn't exclusive either but does acknowledge its Christian history.]

While the sites on the list of Christian denominations have content that directly discusses the New Testament - our Roman-period text - these sites, because they feel some need to justify approaches that fall out of the mainstream, really get into the matter. In particular, see the YouTube channel of the Biblical Unitarians or their article "Do You Have to Believe in the Trinity to be Saved?". There's lots of exegesis at both links. Shifting a little bit, try this video defense of women in the ministry as embeded in the Out of Ur blog.

Exegesis, of course, is about the Bible and here I do start to be a little jealous about what Christianity has achieved. Follow this link to the opening of Mark on the site BibleGateway.com. Here's the same text in Ukranian. Arabic. And Greek. And by the way, if you want to read many of these versions on your iPhone or iPad, no problem. Try Paul Avery's Holy Bible app. It's very cool.

The Greek text is very relevant here. The edition I linked to takes its text from the 1881 The New Testament in the Original Greek. That's out of copyright and I'll return to that point later. I am more interested in the ability to undermine the concept "Original Greek". I don't mean to suggest that Mark wasn't written in Greek, rather to raise the issue of textual variants.

The fourth century AD Codex Sinaiticus is in the running for being the earliest complete Christian Bible to survive from antiquity. Not the earliest text of the NT since there are papyus fragments. Just earliest extant assembling of the books we now find in a Christian Bible. The modern history of the codex is fun but slightly irrelevant here until very recently. I'm now particularly interested in "א" (as it's known) because of the efforts to digitize its pages. Follow this link to the image of Mark 1 as found on the website of the Codex Sinaiticus Project. Then zoom in closely on the first verse by repeatedly clicking at the top of the left hand column of the manuscript image. After moving in about 5 or so times, you start to see the corrections that were made to the text. It's interesting that the nomina sacra ΙΥ ΧΥ is corrected to ΙΥ ΧΥ ΥΥ ΘΥ (an abrreviation for "Jesus Christ Son of God") by the first corrector of the manuscript. There is a nexus of access here that is impressive. I note that we are not far removed from the Biblical Unitarians concern to stress the humanity of Christ as distinct from the Trinitarian approach endorsed by most self-identifying Christians today.

I do, of course, think that the Codex Sinaiticus Project falls into the mainstream of what we call "Digital Humanities". But I can move very quickly in and out of that institutionally sanctioned world when thinking about the codex. Again, as complete copies of the Christian Bible go, Sinaiticus is an early one. It brings together the set of books that appear in many bibles, plus some other texts now considered apocryphal. It's especially interesting as an indication of the New Testament canon at the time. If the history of the development of the NT canon is of interest, you can do worse than by starting at the website The Development of the Canon of the New Testament. I particularly like the table of cross-references and reciption. Its author says, "This subject is an avocation of mine. I am not a scholar and cannot read any ancient languages. There is no original research here; I have freely copied from professional historians..." Regardless, the site is still useful. Perhaps you want to go beyond the text that appear in the NT. Again, start on the web at Early Christian Writings. That's another great site. Read with caution, of course, but I'm assuming that's the attitude we all take to all sources of information.

I'll begin to come to an end by noting Professor Marc Goodacre's NTBlog. I'm linking to his brief discussion of a video from the Saint John's College YouTube channel. You can see their nifty interactive timeline here.

In all of this, I don't know where "Digital Humanities" ends and amateur digitization begins. To oversimplify, this means I'm happy with the "Big Tent" tagline of the DH2011 conference. I'm interested in connections between information and practice that enable new approaches to knowledge discovery that are self-reinforcing. It's not by accident that I've listed Wikipedia pages and mentioned YouTube. I could also have listed Twitter accounts and FaceBook pages (thoug FB is less DH-ish).

The above points don't align exactly with anything in my DH2011 talk. When the abstract for that becomes available online, you'll see that I was somewhat betwixt and between issues when I wrote it. But it should all come together here as I get some ideas off my chest.

18 Mar 2011

Greek Coin Hoards from West to East

From Evernote:

Greek Coin Hoards from West to East

This is a quick "because I can" post. The three images are screen dumps from Google Earth.

The first is a map of all the http://nomisma.org/ entities in the visible part of the world.

The second highlights the western most hoard, http://nomisma.org/id/igch2299. That's in the Azores, which is cool.

The third does the same for the eastern most hoard, http://nomisma.org/id/igch1836. Also interesting.

Food for thought for the weekend.

(download)

And just FYI, I composed this post in Evernote and then e-mailed it to Google's Blogger (for http://mediterraneanceramics.blogspot.com). But Google messed up the formatting. Posterous did a much better job, even accounting for having to restore the order of the images.

11 Feb 2011

What I'm reading on my kindle

From Evernote:

What I'm reading on my kindle


D5d4034468c806120b887fa4903b0b


Another test of Evernote to Posterous. This time from the iPhone app.


The pic is from when I saw the book at the AIA meetings.

10 Feb 2011

Testing Evernote -> Posterous

From Evernote:

Testing Evernote -> Posterous

This is just a test of using the Evernote OS X Desktop App to send posts to Posterous. If you're seeing this it worked. The picture is of a delicious breakfast dish my wife made sometime back.


659ec5446c9404cd56da6f07d4817f
6 Jan 2011

Roman Silver in San Antonio, Texas

Exceedingly cool, but no findspot. See http://bit.ly/fD9brT for discussion.

Photo

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Sent from my cell phone.

5 Jan 2011

Using xtranormal.com to make movies

Sort of in the spirit of those amusing news animations that have been circulating recently, I made a movie that turns Gregory of Nyssa's descriptioin of the Christological debates rampant in fourth century Constantinople into an animated dialog. And then I added a reading of the so-called "Constantinopolitan Creed". Plus a little commentary.

The tool I used is http://xtranornal.com/ , which works well. I could fit this project under the initial 300 "points" you get for opening an account. But I'd rather that there were a free ad-supported option.

Not sure if such a tool could become actually useful. I can imagine letting students loose in this environment, particularly for a course that was exploring the edges of digital humanities.

Check it out at http://www.xtranormal.com/watch/8225957/

Or on YouTube:

20 Nov 2010

Aegean amphora in Rome ht @paregorios

Continuing the commentary on Tom Elliott's pictures from Rome that was started in my previous post (http://sebastianheath.posterous.com/roman-lr-and-medieval-pottery-from-st-pauls-b), here's his image of early Roman sherds from the same gallery.

2010-11-10_08

I'm trying to be disciplined and keep myself to one sherd at a time. For this post, it's the one on the right.  
That's probably a "Rhodian Type" amphora, distinctive for its quite heavy, round handle that is "peaked" on top. 1st BC to 2nd century AD.

Caution requires that I also point to the page for Pseudo-Koan amphoras at http://ads.ahds.ac.uk/catalogue/archive/amphora_ahrb_2005/details.cfm?id=71 . If anybody wants to report on the basis of direct inspection, I'd be happy to edit this post to reflect that.

For context, here's Clementina Panella's figure 1 from her chapter "Oriente ed occidente: considerzioni su alcune anfore 'Egee' di età imperiale a Ostia" in BCH supplement 13 ( http://www.worldcat.org/oclc/13808928 ).
Pastedgraphic

It's a little old but I have a PDF and the article continues to be cited as evidence for Aegean material in Italy. See the stippled column, which is labeled "anf. egee".

p.s. I am once again going to express my annoyance at the intrusive "license" page on Roman Amphorae, an otherwise excellent site that I regularly use. It's really time to move to something like text on every page to the effect of "Use of this resource implies..." with a link.  Even if that means going back to the authors to update the publishing agreement. But would that even be necessary?
18 Nov 2010

Roman, LR and Medieval Pottery from St. Paul's basilica in Rome ht @paregorios

Tom Elliott has uploaded 8 photographs of pottery from cases in the museum at Saint Paul's Basilica in Rome (San Paolo fuori le Mura).

http://picasaweb.google.com/thomase.alt/PotteryFromStPaulSInRome

Even these few pics are worth many comments so I'll return to the set as fodder for future mini-posts. In the meantime, I enjoyed this image of an African Red-Slip Hayes form 99b (mid-sixth AD). Note the nice profile drawing. The central stamp is a peacock, an appropriate symbol of immortality in this cultural context.

2010-11-10_08

http://picasaweb.google.com/thomase.alt/PotteryFromStPaulSInRome#554059761317... (©2010 Thomas Elliott).

See http://en.wikipedia.org/wiki/African_red_slip for more on ARS.

And while I have your attention, the Vatican has nice info on the basilica:

http://www.vatican.va/various/basiliche/san_paolo/index_it.html - The '>Basilica' menu-item leads to a little history and some nice images.

http://www.basilicasanpaolo.org/ - Try the virtual visit.

There's some repetition between these. You can also Google for further reactions to this shrine.

Sebastian Heath's Space

Archaeologist, professor at the Institute for the Study of the Ancient World @ NYU (though with the "#alt-ac"-ish title of Clinical Assistant Professor of Ancient Studies), fan of Roman pottery, geek.